A Forest Reverie
Roughing it out is not my idea of fun. Not until it combines an art installation, a secondary forest, and three guys comprising a renown artist,( Robert Zhao Ren-Hui ) an art curator, ( John Tung ) and a conservation-friendly architect ( Randy Chan ) who made IT happen.
Robert, the artist, with a penchant for history, nature and
collecting found objects, did his residency in NTUCCA tucked in one corner of
Gillman Barracks for a year from 2017-2018. During this period, he explored the
surrounding forest extensively, and this laid the groundwork for his show at
the Singapore Bienale 2019 called ” The Queen’s Own Hill and its Environs ”
which displays a cabinet of curiosities of photography, video, scavenged items
based on archival research which is part reality, part fiction, part fantasy.
This is a continuation of his exploration into Singapore’s forest landscape
which is a convergence of art and nature as a heritage marker.
Randy is the award-winning architect who has projects like
the Warehouse Hotel and Jacob Ballas Children’s Garden under his belt.
Last but not least, John, the independent curator who seamlessly sews everything up together from hatching up concepts on the drawing board, to applying for the myriad of official approvals, to creating an “Aha” narrative for the installation and finally tying up all the loose ends with his bag of tricks including any other contingency.
The Forest Institute ( TFI ) is a specially commissioned
work for the Singapore Art Week 2022. It is a double storey elevated structure
with two major components – a wayang stage built in the style of a Borneo
Longhouse, and a modern steel structure akin to a partitioned white cube.
The five of us had dinner at Handlebar, a grungy but cosy restaurant with quirky peraphernalia, some from motorcycle parts. As if by design or otherwise, it proved popular among bikers, millennials and suspect instagrammers. The pub food menu was reasonably priced and pretty tasty.
At around 10 pm, our guests headed for home and their more comfortable beddings. G set up the canvas bed, spread out the sleeping bags, and brought out our pillows. Suddenly, there was a shroud of silence punctuated by the occasional crickets and subtle sounds of unidentified creatures. It was going to be a long night.
I woke up at intermittent odd hours to check on the spy cam. It registered nothing the whole night. After tossing and turning, between drowsiness and shut-eyes, I managed to catch a few precious hours of sleep.
G woke up around 6 am the next morning to inspect our surroundings. The battery pack had run out. He woke me by announcing that the Simpoh Ayer flowers are blooming. We sat at the viewing platform, on two low chairs to wait for the morning light.
By 7 am there was a flurry of activities. Birds calling out to one another and chirping in reply, bees buzzed. There were patches of yellow from the simpoh ayer flowers. Glistening dewdrops draped around the flower buds. Through our binoculars, we could see a pair of long-tailed drongos. That made our day indeed as John told us that they are not easy to spot. They perched on a branch within sight, flew around and glided gently in the air.
I duly recorded my experience and sightings in the logbook provided. Different people had different experiences, the way it was meant to be.
By 8 am, we packed up, took photos, cast a last wistful look at TFI before heading home. The take-away – a rather unforgettable experience for this city girl to shut off the usual distractions, pare down to utilitarian consumables, shift focus, really listen hard to the subtle but distinct rhythms of the living forest. With every discovery, every birdsong, every sighting, every flower that blooms, there is a little bubble of joy…
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